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Absonus Lab
Home
About us
What we do
Creation
Curatorship
Podcast
Research Group
Online Residence
Conveniences
Mais
  • Home
  • About us
  • What we do
  • Creation
  • Curatorship
  • Podcast
  • Research Group
  • Online Residence
  • Conveniences
  • Home
  • About us
  • What we do
  • Creation
  • Curatorship
  • Podcast
  • Research Group
  • Online Residence
  • Conveniences

Absonus Lab Research Group

An independent research center focused on the study, production, and theorization of post-techno sonic-musical phenomena and their intersections with diverse fields of knowledge and technology, including digital media art, sound art, technology, art, and communication. This work is part of a hybrid transdisciplinary process of knowledge creation in the arts, culture, and society. The impact of technology is analyzed through the framework of techno-ethnomusicology—a discipline that investigates the effects of technology as technological ethnography on sonic-musical artifacts, technological objects, artistic meta-political discourses, and cultural artifacts. This approach utilizes innovative models of sound studies and computer music production, informed by cutting-edge research in the human social sciences, integrating post-minimalist, post-industrial, and post-techno perspectives from a technocultural, sonic, and digital art standpoint. The center celebrates the diversity of sonic-musical expressions and engages a wide range of contributors, including composers, performers, interpreters, researchers, and practitioners of contemporary hybrid artistic practices. 


Areas of focus include:


  • Musical Composition; Musical Performance; Sound Art and Spatialization.
  • Computational Electronic Music; Interactivity, Controllism, and Gesture.
  • Sound Technologies; Industry, Capital, Innovation, Obsolescence, Hyper-instruments, and Techno-Ethnomusicology.
  • Visual Music; Hybridity, Meta-media, Digital Media Art, and Synesthesia.
  • Critical Music Theory; Society, Culture, Expressions, and Discourses.
  • Contemporary Philosophy and Aesthetics: Meta-politics, Resistance, and Ecology.
  • Perception, Musical and Sonic Cognition; Visualcentrism, Hyper-optics, Hyper-sonics, and Sonic-Musical Representation.
  • Preservation, Documentation, and Archiving of Sonic-Musical Heritage.


Join us in exploring the cutting-edge intersections of sound, technology, and culture—connect with a vibrant community of artists, researchers, and innovators to collaborate on experimental hybrid projects that redefine the boundaries of sonic and digital art. If you are interested in collaborating, just contact us 

Sound Art and Technology as Speculative Realism_ Hugo Paquete_2024 (pdf)Descarregar

The sound-event as immanence in cognition is at the same time event, vibration, experience, spectrum, and memory, crossing all states of consciousness.


Hugo Paquete, 2015

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