An independent research center focused on the study, production, and theorization of post-techno sonic-musical phenomena and their intersections with diverse fields of knowledge and technology, including digital media art, sound art, technology, art, and communication. This work is part of a hybrid transdisciplinary process of knowledge creation in the arts, culture, and society. The impact of technology is analyzed through the framework of techno-ethnomusicology—a discipline that investigates the effects of technology as technological ethnography on sonic-musical artifacts, technological objects, artistic meta-political discourses, and cultural artifacts. This approach utilizes innovative models of sound studies and computer music production, informed by cutting-edge research in the human social sciences, integrating post-minimalist, post-industrial, and post-techno perspectives from a technocultural, sonic, and digital art standpoint. The center celebrates the diversity of sonic-musical expressions and engages a wide range of contributors, including composers, performers, interpreters, researchers, and practitioners of contemporary hybrid artistic practices.
Areas of focus include:
Join us in exploring the cutting-edge intersections of sound, technology, and culture—connect with a vibrant community of artists, researchers, and innovators to collaborate on experimental hybrid projects that redefine the boundaries of sonic and digital art. If you are interested in collaborating, just contact us
Hugo Paquete, 2015