Electronic music laboratory that focuses on music composition and production, connecting various aesthetic fields in broad research focused on contemporary computer music.
At Absonus Lab, sound is more than just an artistic medium—it is a living, evolving force that shapes and is shaped by the world around us. Our production is deeply rooted in computer music composition, sonic experimentation, and the fusion of art, technology, and science. Each project emerges from a research-driven approach that explores sound as both a material and social phenomenon, engaging with contemporary theories of listening, interaction, and perception.
We develop compositions, immersive sonic environments and performative events, leveraging advanced digital tools, AI, algorithmic processes, and custom-built audio systems. Our work spans acousmatic music, spatial audio, interactive installations, and live performance technologies, pushing the boundaries of electronic and experimental music. By integrating sound studies, sociology, aesthetics, and emerging media technologies, our productions reflect a deep engagement with cultural identity, ecological awareness, and transdisciplinary knowledge exchange.
Absonus Lab organizes and produces art events focused on sound art, music, art, and technology, encouraging experimentation and innovation. Our activities include seminars, art events, presentations, workshops, audio editing, concerts, publications, and performances. We bridge contemporary theoretical and practical research, emphasizing investigative methods in art. Our goal is to showcase the diverse meta-methodologies used in contemporary sound, music, and technological creation, highlighting their role as tools for understanding and intervening in today’s social, artistic, and technological landscape. We aim to support the development of theoretical and practical research in art, including sound installations, compositions, auditory experiences, computer-generated music, technological development, and independent study programs.