Step into the Negentropy Nexus online residence where the frontiers of electronic music, digital art, artificial intelligence, and algorithmic performance converge with the concepts of hyperobjects, speculative futures, and post-digital aesthetics as subcultural speculative narratives.
This online residence brings together artists, theorists, and researchers to explore how these interdisciplinary themes can redefine a speculative ground to reframe electronic opera and contemporary digital art.
At the heart of our exploration is the concept of negentropy—a force that counters the chaos of entropy, symbolizing the creation of order and coherence within complex systems. In the post-digital era, where entropy often dominates at the heart of the post-digital aesthetics, we propose using negentropy as a framework to reimagine and reconstruct the aesthetics of electronic opera, integrating the immersive potential of electronic music, sound art and digital and multimedia art as key components of inspiration.
This residency leverages the concept of negentropy to delve deeply into the computational process integral to contemporary artistic production. We will explore how the use of software, hardware, artificial intelligence, algorithms, and interactive systems can produce works that transcend mere entertainment, especially within contemporary operatic and performative formats. These tools allow for the creation of art that conveys meanings, fosters resistance, and gives voice to sub-cultures, particularly through sonic manifestations that echo the aesthetics of avant-garde, post-minimalism and post-techno art production. As Acousmatic music—where sound is divorced from its visible source works as a first approach to virtuality—creates an auditory experience that transcends the physical, invoking the vast, unseen dimensions of hyperobjects. The concept of Hyperobjects, such as climate change or the Anthropocene, are entities so vast and complex that they defy simple comprehension, much like the disembodied nature of acousmatic sound and the digital as an extension of the real. By embracing these sonic phenomena, we invite participants to engage with the immense and often overwhelming forces that shape our world and new meanings, using sound as a medium to explore the intricate layers of post-digital existence and future narratives. In this sense electronic music, deeply rooted in digital technology and experimental sound, becomes a powerful conduit for expressing the speculative futures that lie at the intersection of cyberculture, technoculture and radical ecology. Through the lens of hyperobjects, electronic music can represent the vast, interconnected systems that define our environment and our relationship with it, offering new ways to reflect on the complexities of our time.
Jack "Mia" Shamblin, (USA).
Is a genderqueer performer, playwright, and filmmaker based in Brooklyn, NY. Shamblin creates mixed-media theatre that explores evolving identity. Currently, Jack is working on "Flower Child," a queer multimedia fairy tale, and has had plays produced by theaters such as La MaMa ETC and Dixon Place. In 2015, Shamblin published "Queering The Stage," a collection of his plays produced in the 1990s.
The artist debuted as a creator and performer with NY-based theatre and visual artist Theodora Skipitares, who describes Shamblin's creations as "heroic." New York legends such as La MaMa ETC, Dixon Place, Mother, and HERE have produced their plays.
In 2015, Shamblin published Queering The Stage, a collection of their LGBTQIA++ scripts. In addition to a NY community, Shamblin lived several years in Portugal where they wrote and performed for choreographer Paulo Henrique and others, taught at Centro Em Movimento, and created the experimental film O Castelo Preto. Highlights were performing with Philip Seymour Hoffman in The Skriker by Caryl Churchill and with Kate Bornstein in Shamblin’s play Thurma.
Recently, Shamblin completed their short film THERAPYTHIA, which delves into non-binary evolution. Shamblin made the film this January in Delphi, Greece, with artist Colin Ginks. Notably, critically acclaimed transgender actor Alexis Arquette, performed their final role as Mommy Myra Breckinridge in Shamblin's short BLATANT.
José Carlos Teixeira, (PT-USA).
Is a visual artist, filmmaker, researcher and educator. MFA in Interdisciplinary Studio, UCLA; BFA in Visual Arts/Sculpture from FBAUP. Through participatory, performative and poetic methodologies, his practice examines ideas of identity, belonging, otherness, exile and displacement. At the intersection of cinema and anthropology, art and politics, Teixeira addresses the politics of representation, while generating space for empathy and intersubjectivity. His work (in video-essay, documentary, installation, text and photography) has been featured internationally in exhibitions and film festivals. In recent years, he had solo shows at MAAT (Lisbon), SPACES (Cleveland), MMoCA (Madison), Hawthorn Contemporary (Milwaukee), MNSR (Porto), as well as group shows and screenings in venues such as LACE, Hammer Museum (Los Angeles), UnionDocs, Anthology Film Archives (NY), MOCA, The Sculpture Center (Cleveland), Württembergischer Kunstverein (Stuttgart), DAZ, Rosalux (Berlin), 104 Cent Quatre (Paris), Hélio Oiticica Art Center (Rio de Janeiro), S.P. Cultural Center (São Paulo), Oriente Foundation (Macao), Carpe Diem, Gulbenkian Foundation (Lisbon),
Museu FBAUP, Galeria do Palácio, MausHábitos (Porto), and at the Instituto Camões Cultural Centers, to name a few. Teixeira was the recipient of a Fulbright/FCC and Gulbenkian/FLAD grants, Efroymson Fellowship, AFFEST Jury Award 2019 (NY), SMHAF Experimental Film Award 2019 (Glasgow), FUSO Jury Prize 2011, and the 2005 EDP New Artists Prize nomination. Na artist-in-residence at the Akademie Schloss Solitude (Stuttgart), Townhouse Gallery (Cairo), MacDowell and the Headlands Center for the Arts (USA), he has also taught at ESAD.cr, (Portugal), at CWRU and CIA in Cleveland, in addition to UW-Madison (USA).
Židrija Janušaitė, (LT).
Is a Lithuania Intermedia artist working in painting, installation, land art, video and performance art. Active on the Lithuanian and international art scene since 2007. Židrija’s artworks are defined by stillness; her art opens up to an experience of intense meditative silence. What is personal is shared with whoever chooses to enter the special time space created by an artist. Her arts are mostly meditative, calming and mind relaxing. On another hand, this is how she creates the loop for particular and always individual comprehension and perception of the viewer.
To establish strategies and give visibility to new ideas for creating art within today's chaotic transmedia landscape. We aim to explore how the principles of negentropy, combined with acousmatic music, electronic music, digital and multimedia art, and the concept of hyperobjects, can inspire new forms of contemporary opera and digital art that resonate with the complex challenges and possibilities of our future.
Copyright © 2024 Absonus Lab - Todos os direitos reservados.
Absonus Lab: Investigação Sonora, Tecnologia e Cul